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wPlig Bong |
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(* = pinged in last 12 hrs)
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wFriday, September 16, 2005 |
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1728
We went running down the hill Looking at the pictures in the gallery Shopping for music and new shirts Turning on the cable And moving across the water From website to website Driving the whole way in the passing lane Subscribing to every magazine Going to parties every night but Tuesday Trying all the liquids and powders Jumping right into the deepest arguments And falling in love with each other Every night for six or seven months
On the way back from lunch with Chris Back from the auction of his grandfather's stamps In Hong Kong he looks good he's writing a novel I stop at Chase to deposit my check I've been old fashioned since the company Overpaid me by thousands of dollars my first month I see the words Taskin Mumcuoglu on a desk placard And hear Al Green singing that he's still in love I don't think I've heard anything so beautiful in a bank Since my second mortgage
And what is all this about love anyway I'm feeling cut not bleeding but explosed Like the electrical and plumbing Of a building that's been struck by a large object
Love this terrible unbeatable team worse than the Yankees Always in the media always up and down It can never do enough to please its owner Except win every time and we all have to root for it I don't want to I never have I've always wanted The impossible come-from-nowhere story This is as the English teachers call it my tragic flaw But it's September and my time my team is doing Either what it always does or what it does The year before it does something amazing
I don't want this love anymore it's what It's so cruel always looking like that promised bliss Then turning out to be everyday life my life Don't get me wrong I prefer living I go to the magazine stand it's the middle of the world Assembly no new NewAfrican the Southwest Review will do I pick up two more sets of MegaMillion numbers As I tend to when the jackpot is greater than 100
By everyday life I mean war hot and cold I mean I'm not asleep in history class I can see the smoke rising from the field I can understand it but I can't understand it I enlist I show up I have faith in the leaders I'm wounded they send me back to the front
Metaphors are for the truly stupid And I am for metaphors Too what too crazed scared or just tired To articulate what I imagine of your experience Too slow to know what to do with my analysis or yours Not slow but possessed of a misplaced faith
People of the future, we knew in advance About the flooding, the heat, the die-offs
Knew in advance that we were waiting too long
Still I for one believed In truthfulness compassion forebearance Whatever those are or mean When you don't control capital I don't control capital I can barely manage to tell capital What capital's frantic confused footsoldiers Are seeing on the ground
It's not good it never is Except at the end of the teaching day Throat hoarse, back tired top to bottom All that talking taking effect Over the following hours and days
Let's don't call it love anymore Even though I would say that's the best name Let's make the feeling strange again Less of an obligation, more of a sweet Brimful clacking unto the roofslates That what has started goes on through absence Like light through space ok that's corny But it's true I feel warm in your presence Like a cat following the sun On its tour of the windows of the house
Metaphors are for everybody to have enough And similes are wandering the land I'm not wandering I'm sitting at my desk Putting one foot in front of the other And you today are all about revenue
In your unguarded moments you have a different laugh In your kitchen you have a ladder In your bedroom you have a self-portrait
You ask me what I want to tell you I can answer that, how much time do you have It may take fifty or sixty years
A beautiful city is built on an earthquake fault Or underwater, or on a harbor, same thing When the world gets hot The people of these cities live every day With the intensity of survivors
They call it a fault but it's just the earth changing They say "myth of Sisyphus" But we're just getting up every day Waiting for this monster we made up To come tickle us to death
I'm alone it's ok I'm collaborating on something That makes the motorcades do their Three Stooges whoop
Just doing one thing and then another Which sometimes turns out to be The first thing's next part
posted by
Jordan #
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1715
A playwright workshop in New London.
CASEY: Yeah I don't care about that.
MILLER: Tell me something else I don't already know.
CASEY: We don't need more negative noodling.
CHURCHILL: God how much energy it takes Just to say one thing with all these nudniks Breathing and complaining. But I am alive!
OVID: Big deal, alive.
(RIDING): Big deal, alive.
CHURCHILL: And yet, I'm half aware that these voices At this table are all my own voice, all my own wish To be held back from some imminent disaster...
BOWLES: Morning feelings, the warmth of sheets With an angry woman not yet conscious next to you --
BARNES: Why do these children write poems About their grandparents? Why are they not Stealing diamonds on horseback? But the beer drinkers Seem to be the ones who attract crowds.
WEINSTEIN: The problem, if it is a problem, Is that as Frank said, you can't really send a message, Or maybe it was Sam Goldwyn. No, he was "Writers are schmucks with Underwoods."
THOMAS: I spilled a glass on my writing table And wrote Under Milk Wood.
ELIOT: I spooked myself with my poems And turned to counterfeiting Nick and Nora For the conflicted Unitarian set.
ELECTRA: The only song anyone wants to hear Is the one sung out of impossible love.
DARNIELLE: The death instinct feels pretty good, Apparently. As does everything nearly feral.
CASEY: And you bring in too many characters!
MILLER: Too many characters.
CHURCHILL: I bring in my feelings of escape And release, of lifting my head and speaking up.
posted by
Jordan #
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1714
A playwright workshop in Moscow.
CHEKHOV: Looking at American movies I realize I probably shouldn't have said that, about the gun.
TURGENEV: Oh but it's true. As I said Climbing into the lifeboat ahead of the women, My heart rate is elevated, give me the oars.
DOSTOEVSKY: Wrap it up, gentlemen.
TOLSTOY: Gentlemen, go on.
O'BRIEN: Gentlemen, what'll it be, lights or darks.
CHEKHOV: Darks, and a plate of crackers and onions.
BLACKBURN: Those guys are so fixated on the big picture.
OPPENHEIMER: I know what you mean.
BLACKBURN: Don't you see, what gives us life Just as much as our big decisions and heartbreaks Are the little glimpses (muffled by roar of laughter from the Russians)
OPPENHEIMER: All the same, I kind of want to drink Somewhere they let women in, Paul. Or blacks.
BLACKBURN: America is changing, Joel. Williams Saw that, and pointed the way. Why aren't everybody Following?
OPPENHEIMER: They think Williams is a hick, Paul. If they'd just look at Spring and All (muffled by roaring Russians)
posted by
Jordan #
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1713
A playwright workshop in New Haven.
DURANG: "For god's sake don't be a drag" May or may not mean dress everyone in drag.
FO: What ho!
T-SHIRT: "Enough with the scientology already."
SCHECHTER: The distance from Sam's social experiments To Gilligan's Island, I'm no numismatist But I think we all knew from Spalding's paws How big a dog he would grow to be.
SHEPARD: Patti, this is Jessica. Jessica, Patti.
MAPPLETHORPE: A flower is a game, Silver gelatin is a room Where everyone talks but not to anyone in particular.
SMITH: The poets can't possibly understand How much power they have so I'll take it.
LANGE: Sam baby, can we go get dinner now?
COURTENAY: So I said, for a larf, What are your turn ons? And she said:
CHRISTIE: "Penetration"
TURGENEV: The trick is to be at home Among the imaginably wealthy, and also For there to be no gossip magazines yet.
DURANG: And yet we imagine ourselves In a conflict-free world where we stay young Not just unwrinkly and full heads of hair But sleep doesn't come into it, or petsitting.
WEAVER: Darling I didn't imagine Being the bitch who fries space bugs.
O'HARA: Something terribly important is going on Involving being a surly fuckoff with a sure hand And that is our modern idea of purity, Consistent aggression we scan for tenderness.
KOCH: That's not what it's like at all.
DURANG: There has to be a woman standing Near the center of the stage, unreadable.
WEAVER, SMITH, LANGE (at once): I used to know how to do that.
MAPPLETHORPE: Unreadability only gets you so far.
FO: Oh do you think so.
posted by
Jordan #
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wMonday, September 05, 2005 |
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1703
SHIT-EATING GRIN
I've never cared much for this phrase But then I've never much wanted to stare Into what it might mean or why anyone Might say it -- it doesn't start fights, This eating shit business, even though It sounds to me like it would. What Do I know? I've taken (like so many others I know, have loved, worked for, smiled at) So many less loaded phrases for insults,
I want to break into a car And not take anything
Or go running in the woods Singing arias from Telemann
Speak truth to women And lies to money
Waking up every morning To the motrin of drayage Plume ferns agnostic a much Needed window blink oboy oboy
Mostly though I want The presence of mind To make a meal when I'm hungry And get laid when I'm what, Awake? some dreamer Of romantic spice racks I'm turning out to be
Some Bugs Bunny shooting Han Solo first
Some index card essayist Of the Chevrolet Impala endzone machismo
Some tivo programmer
Some friend of literature's less guarded mimicking Of the plaza outside the Department of Energy
Well, in that case Let me just shuffle And deal, can I get A bless for rest of yes the best southwest By west confess no less to guess for
Standing in the path of the oncoming car
Dreaming of the light changing At the turn of the season
Admiring the prose of Ford Madox Ford And generally being The good friend
A bit clueless with segues And opportunities to give gifts
But on average maybe not as How you say Mischievous As the expression implies.
posted by
Jordan #
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